| BEGINNINGS
Mike Boehm |
|
I served in Vietnam from 1968 to 1969, one year in Cu Chi with
the 25th Infantry Division, G-3 Plans, and six months in Vung
Tau. I didn’t go to Vietnam for patriotic reasons. I didn’t
know anything about communism (or democracy for that matter) or
where Vietnam was located on a map. Like many boys throughout
history I went to war to please my father.
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I drifted through my year and a half in Vietnam during the
war and returned home seemingly unaffected by the war.
It wasn’t until a few years after I returned from the war
that I began coming across information that countered the reasons
given by our government for why we went to war with Vietnam. I
attended the Madison Area Technical College from 1976 to 1978
with my schooling paid for by the government because I was a veteran.
The summer between those two years, 1977, was when all the information
I had come across concerning the Vietnam War jelled and I went
to my mother’s house, went to the attic, and then took my
uniform and medals and threw them in the trash. At the beginning
of the second year at MATC I went to the Veteran’s representative
and told him I wasn’t going to accept the GI Bill money
for schooling anymore because it was ‘blood money’.
He was furious because that wasn’t playing the game. But
that gesture was too little, too late, the war was over and I
couldn’t undo my part in it. |

Mike Boehm (r) and Dan Boehm (l) in Vietnam August, 1969. Our tours
in Vietnam overlapped so we were able to have an in-country R&R
together. |

The shack where I lived for nearly seven years. |
RETREAT FROM SOCIETY
Over the succeeding years I began to look into our other wars,
military and economic, and I realized that the Vietnam War was
not an aberration. I began a steady retreat from society until,
finally, I ended up living in a shack with no plumbing or electricity
in the country outside of Madison. I couldn’t participate
in a society with a history such as ours and whose only reason
for existing seemed to be consumption. |
In retrospect, life in the shack turned out to be a necessary
transition period for me. It gave me time to heal and think. It
was during that period that at age 40 I learned to play the fiddle.
I also took in orphaned young wild animals to nurture them until
they could fend for themselves and then I released them. I kept
my circle of friends with whom I played music, went bird watching,
and canoed. It was toward the end of my stay in that shack that
I took the step that would lead me back to Vietnam. |

Feeding a baby squirrel with a syringe. Other animals I helped to
rehabilitate included foxes, raccoons, deer, vultures, hawks, owls
and weasels. |

Shoveling cement from a bucket to rebuild a roof in Vieques. |
VIEQUES
In 1991, I went with a group of carpenters to Vieques,
Puerto Rico, to help rebuild houses destroyed by Hurricane
Hugo. I had never heard of Vieques before and was to learn that
our navy had, for nearly 50 years by that time, been shelling
that small island for practice. Aside from the complete disruption
of life on that tiny island cancers rates had soared from the
chemicals released from the shelling. Learning this ramped up
the hatred I already felt toward my government but for the first
time in my life I discovered that by building, creating, in that
context, I was able to transfer anger and hatred into peace. Flying
home afterward I immediately began thinking about using my carpentry
skills in Vietnam. |
RETURN
TO VIETNAM
The following year, 1992, I traveled with eleven other Vietnam
veterans to Vietnam for the first time since the war under the
auspices of the Veteran’s Vietnam Restoration Project (VVRP).
VVRP, for years, has been raising funds to build clinics in Vietnam
and then gathering Vietnam veterans to go to Vietnam and work
alongside the Vietnamese to build these clinics. I will always
be grateful to VVRP for that opportunity to return to Vietnam
because it was a profound life-changing experience for me. |

Reconciliation-Americans and Vietnamese working side-by-side build
a medical clinic. |

The ten room clinic. Construction took only three and a half weeks.
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As we worked on the clinic I realized I was having serious
emotional problems being back in Vietnam. I was lashing out at
the others and in the privacy of my room breaking down in tears.
This was completely unexpected because I felt I had no trauma
from the war. I worked in an office during the war. I never fired
a gun and I never saw a body during the war. When I could finally
sort out my feelings I realized the problems I was having came
down to one question, ‘why?’. As I got to know the
other American veterans I was working with I began to hear their
horror stories of the war and then I learned of the horror of
their lives after the war; drug abuse, alcohol abuse, suicide
attempts. Then I would hear the Vietnamese stories. The Vietnamese
man who was in charge of building the clinic was extremely tense
around us. We finally learned that his whole family, his wife
and all his children, were killed in an American bombing raid.
The intensity of the bombing was such that their bodies were essentially
vaporized and all he could do to bury them was to gather up the
soil with the bits of their bodies mixed in and bury that. That
question ‘why?’, why all that death and destruction,
was making me crazy. |
What finally arose from this stew of emotions was to go to
My Lai. I had long ago come to think of My Lai as representative
of the Vietnam War, that the war itself was an atrocity. After
the clinic was finished five of us veterans traveled to Hanoi
by van and on the way north I insisted we stop at My Lai. When
we got there I took my violin which I had brought with me to Vietnam
and in front of the statues depicting the angry and defiant Vietnamese
I played ‘Taps’. Although ‘Taps’ is a
military tune, for me it has always meant farewell and rest in
peace. I played for everyone, Vietnamese, Americans, Koreans,
everyone who had suffered and died in that war. It was tough to
play. We were all crying and my hands were shaking badly. But
I finished, bowed, and then we left. |

Playing the violin at My Lai as an offering to the spirits of the
dead. |
| After I returned from Vietnam to my shack, and
the emotionally dust had settled, I realized I wanted more of
whatever it was I had just experienced. And only a few months
later I got my wish.
In late 1992 I received a phone call from Carol Wagner who had
heard of my interest in Vietnam. Carol had led a study tour of
women to Vietnam on behalf of Global Exchange in the fall of 1992.
A number of us met at the Friends Meeting House in Madison to
watch her slides. Afterward, Carol told us that while their group
was in Vietnam they had received a proposal by the Quang Ngai
Women’s Union to fund a micro-credit project for the poor
women of My Lai. She said that while Global Exchange applauds
this concept, loan
funds are not the kind of programs Global Exchange
funds so would we be interested in taking over this proposal.
We eagerly agreed, and for me, there was no looking back. |